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29 Sep 2008
Brussels, Belgium
PARK 58 is an initiative that aims at a creative reinvention and participative re-appropriation of the city of Brussels, starting from the imaginary mental transformation of a very special place – relatively unknown – in the heart of the city: Parking 58.

This parking lot, built on the occasion of the World Exhibition in ’58, directly tells a lot about the history of Brussels, in its past and present realities. Its highest level offers a stunning and unmatched 360° panoramic view on the city. This specific building, which stands for 50 years of “Bruxellisation” and drastic changes to the cityscape and urban tissue, involving the spectacular rise of King Car, symbolizes many long-abandoned options in the development of urban structures and mobility. Designed for the use of the clients of the Carrefour supermarket at the floor level, its vast rooftop remains largely unoccupied.

Architecture / Art + Activism / Sustainability / Urban/City
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The "five finger plan" of Copenhagen, is made to make the city develop along five lines of infrastructure and leave intact green belts between the fin...
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Projects  

nolvadex

FRUIT takes up the challenge of elevating the ecological knowledge of consumers and encouraging a way of life that is friendly to the environment. We want consumers to be conscious of the entire life of a product, from production to utilization, and not just what they see in the stores. Consumers must be aware that every phase of a product's life influences the environment and ourselves.

Free Soil has produced a run of FRUIT wrappers, a website, and a traveling installation as part of an initiative to inform people about alternative food systems and local food movements. The wrappers are disseminated throughout the food chain by piggybacking on oranges. Information will be carried through the food system and into the hands of consumers. The wrapper holds information on a variety of aspects concerning food movements, transport and urban farming. Get your daily dose!

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AmyF
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Link of the Week:  
Interview with Fritz Haeg by Nato Thompson

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