An exhibition at Kunstraum Lakeside by Ines Doujak dedicated to the neo-colonial practice of “biopiracy.” Doujak traces the routes by which natural resources from “biodiversity” regions in the southern hemisphere are appropriated and marketed by multinational corporations. If new economic Edens are unfolding here for selected enterprises, based on the exploitation of traditional knowledge in these regions, it is not without the complicity of knowledge producers in the West, such as botanical gardens, for example, whose program of investigating and preserving nature is increasingly associated with the practice of genetic modification. Ines Doujak’s installation on one aspect of economy and power under the sign of globalization pursues the question of how the aesthetic and ethical value of the “diversity of life” becomes a factor in the economic value chain, resulting in monopolies that in turn counteract multiplicity by negatively influencing the local communities on whose knowledge they are built.
The project intersects with recent public debate in Copenhagen about air pollution in the city. In collaboration with Senior Scientist Jørgen Brandt from The National Environmental Research Institute in Denmark a first prototype is developed for making an indicator that can be placed in the city and display local levels of pollution as well as pollution forecasts on individual streets. The project holds an open source script for displaying data from the Internet in a variety of forms.