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16 Apr 2008
Krakow, Poland
Jagellonian University Krakow
26 April 2008

This seminar will examine the multiple legacies of 1968 for contemporary art in terms of new artistic practices involving dematerialisation, performance and the use of new media; social and institutional critique; as well as the impact of political upheavals on art. It will also consider the contemporary implications of the social movements and artistic radicalism of 1968 against the backdrop of the organised commemoration of the 40th anniversary, as well as the specificities of the experience of 1968 in the countries of Eastern Europe.

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The aim of all descriptions of cities is to know how to live, to see what is coming and accept it and become part of it or, better, see what could...
Joni T
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Projects  

nolvadex

nowHere, a space where a spot becomes a place.
15 march - 25 may, 2008

nowHere, is a cabinet which invokes a dialogue on re-appropriation of the private and public domain. Through personal tags and geographies (books, movies, music, websites, drawings, mappings, photocopies, art works, ... ) it reads as a 'certain' historical relation between human, space and technology.

bolwerK considers the constructed in-between space of architect C.Kieckens, within the art space, Z33, not as a sub-art space with a curatorial reading; a cabinet as 'museum' but as a space with a personal narrative and a social meaning embedded in a neighborhood. The active use of the space for living, eating, working, sleeping implies that the cabinet is more a 'room of collection', in a live, real-time situation.

During PLACE@SPACE Marthe Van Dessel will post live from Z33, as a guest contributor on Free Soil, to connect, publish and share her discourse
with the virtual open public resources of the net.

The the conceptualization of the space as 'ongoing', work-in-progress externalizes the precarity of information, issues of copyright, authorship, knowledge production and hierarchical information networks.
Marthe
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Link of the Week:  
Interview with Fritz Haeg by Nato Thompson

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