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04 Oct 2007
Italy
Water and war are two topics being assessed together with increasing frequency. Articles in the academic literature and popular press, point to water not only as a cause of historic armed conflict, but as the resource which will bring combatants to the battlefield in the 21st century.Walid Maw'ed addresses, in his current and future project, water issues as a local and global problem which exist not only in the Middle East, but in the rest of the world. 'Waiting for water' started by focusing on the water conflict that exists between Israel and Palestine, through the example of the river in Biella (Italy).

Artists / Public Projects
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Features
By Nis RÝmer

In the course of the summer (2007) the Public Picnic project developed with the help of neighbours, friends and people pas...
Nis
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Projects  

nolvadex

nowHere, a space where a spot becomes a place.
15 march - 25 may, 2008

nowHere, is a cabinet which invokes a dialogue on re-appropriation of the private and public domain. Through personal tags and geographies (books, movies, music, websites, drawings, mappings, photocopies, art works, ... ) it reads as a 'certain' historical relation between human, space and technology.

bolwerK considers the constructed in-between space of architect C.Kieckens, within the art space, Z33, not as a sub-art space with a curatorial reading; a cabinet as 'museum' but as a space with a personal narrative and a social meaning embedded in a neighborhood. The active use of the space for living, eating, working, sleeping implies that the cabinet is more a 'room of collection', in a live, real-time situation.

During PLACE@SPACE Marthe Van Dessel will post live from Z33, as a guest contributor on Free Soil, to connect, publish and share her discourse
with the virtual open public resources of the net.

The the conceptualization of the space as 'ongoing', work-in-progress externalizes the precarity of information, issues of copyright, authorship, knowledge production and hierarchical information networks.
Marthe
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Link of the Week:  
Interview with Fritz Haeg by Nato Thompson

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